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Pahelaa kartaa jug maahe sonna naare ghat -

Artist
Zahra Kassam
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Pahelaa kartaa jug maahe sonna naare ghat -

Artist
Zahra Kassam

Track Details

Year
Artist
Artist
Zahra Kassam
Album
Length
Length
3:56
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Format
mp3
File Size
File size
1890472mb
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Sample rate
11025
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Play count
5058
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Download count
2362
PAHELAA KARTAA JUGAMAA(N)HE SONAANAARE GHATT PEER SADARDEEN ejee pahelaa kartaa jugmaa(n) he sonaanaare ghatt shaahnaa sonaanaare paatt sonaane see(n)ghaasanne betthaa shree narsha(n)g jee raay gur bheermaajee nee aartee ne chamar ddhallaay kesar ne ka(n)kunaa shaahne chhaa(n)ttannaa chha(n)ttaay.....1 During the first era of Kartaa, the Path was golden and the Lord's stage or'paat' (as in ghatpaat) was also golden. Lord Narsang was seated on a golden throne as the king. Through the supplications and invocations of the Guide, the Creator (Prophetic Light), the place was decorated and was shining with glory. Sprinkle the Lord with yellowish and golden particles. ejee beeje tretaa jugmaa(n)he rupaanaare ghatt shaah naa rupaanaare paatt rupaane see(n)ghaasanne betthaa shree raamcha(n)ddhrajee raay gur veejeshtthann nee aartee ne chamar ddhallaay kesar ne ka(n)kunaa shaahne chhaa(n)ttannaa chha(n)ttaay.....2 During the second era of Tretaa, the Path was silver and the Lord's stage was also silver. Lord Raamchandra was seated on a silver throne as the King. Through the supplications of the Guide Veejeshtan, the place was decorated and made glorious. Sprinkle the Lord with yellowish and golden particles. ejee treeje duaapur jugmaa(n)he traa(m)baanaare ghatt shaahnaa traa(m)baa naa re paatt traa(m)baane see(n)ghaasanne betthaa shree karashanjee raay gur veedurvyaas nee aartee ne chamar ddhallaay kesar ne ka(n)kunaa shaahne chhaa(n)ttannaa chha(n)taay......3 During the third era of Duaapur, the Path was of copper and the Lord's stage was also of copper. Lord Shree Krishnaa was seated on a copper throne as the king. Through the supplications of the Guide Veedurvyaas, the place was decorated and made glorious. Sprinkle the Lord with yellowish and golden particles. aaj kaljug maa(n)he maattee naare ghatt shaahnaa maatteenaare paatt maatteene see(n)ghaasanne betthaa shree nakala(n)kee raay gur nabee muhamadnee aarteene chamar ddhallaay kesar ne ka(n)kunaa shaahne chhaa(n)tannaa chha(n)taay peer sadardeen nee aartee ne chamar ddhallaay kesar ne ka(n)kunaa shaahne chhaa(n)tannaa chha(n)taay........4 Today in the present age, the Path is of clay and the Lord's stage ia also of clay. Lord Hazarat Aly (Shree Naklank) is seated on the throne of clay as the king. Through the supplications of the Guide Prophet Muhammed, the place was decorated and made glorious. Sprinkle the Lord with yellowish and golden particles. The place was made glorious through the supplications of Peer Sadardeen. Sprinle..
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Pahelaa Kartaa Jug Maa(n)he Shaahnaa ejee pahelaa kartaa jugmaa(n) he sonaanaare ghatt shaahnaa sonaanaare paatt sonaane see(n)ghaasanne betthaa shree narsha(n)g jee raay gur bheermaajee nee aartee ne chamar ddhallaay kesar ne ka(n)kunaa shaahne chhaa(n)ttannaa chha(n)ttaay.....1 During the first era of Karta, the ghat was golden and the Lord's paatt was also golden. Lord Narsang was seated on the golden throne as the King. Through the supplications and invocations of Gur Bhrama, the throne was decorated and was shining with glory. Sprinkle the Lord with yellowish and golden particles. This is also the age in which the degree of deference to dharma was generally highest of the four eras. It is symbolized by the Ghat Paat being golden. The era was marked by greatest human civilization. Through the activities and supplications of Gur Bhrama, the throne was glorified and made known to the world at large. ejee beeje tretaa jugmaa(n)he rupaanaare ghatt shaah naa rupaanaare paatt rupaane see(n)ghaasanne betthaa shree raamcha(n)ddhrajee raay gur veejeshtthann nee aartee ne chamar ddhallaay kesar ne ka(n)kunaa shaahne chhaa(n)ttannaa chha(n)ttaay.....2 During the second era of Treta, the ghat was silver and the Lord's paatt was also silver. Lord Ramchandra was seated on the silver throne as the King. Through the supplications of the Guide Veejeshtthan, the throne was decorated and made glorious. Sprinkle the Lord with yellowish and golden particles. ejee treeje duaapur jugmaa(n)he traa(m)baanaare ghatt shaahnaa traa(m)baa naa re paatt traa(m)baane see(n)ghaasanne betthaa shree karashanjee raay gur veedurvyaas nee aartee ne chamar ddhallaay kesar ne ka(n)kunaa shaahne chhaa(n)ttannaa chha(n)taay......3 During the third era of Dwapur, the ghat was of copper and the Lord's paatt was also of copper. Lord Sri Krishna was seated on the copper throne as the King. Through the supplications of the Guide Veedurvyaas, the place was decorated and made glorious. Sprinkle the Lord with yellowish and golden particles. aaj kaljug maa(n)he maattee naare ghatt shaahnaa maatteenaare paatt maatteene see(n)ghaasanne betthaa shree nakala(n)kee raay gur nabee muhamadnee aarteene chamar ddhallaay kesar ne ka(n)kunaa shaahne chhaa(n)tannaa chha(n)taay peer sadardeen nee aartee ne chamar ddhallaay kesar ne ka(n)kunaa shaahne chhaa(n)tannaa chha(n)taay........4 Today in the present age, the ghat is of clay and the Lord's paatt is also of clay. Lord Sri Naklank (Hazarat Aly) is seated on the throne of clay as the King. Through the supplications of the Guide Prophet Muhammed, the Throne was decorated and made glorious. Sprinkle the Lord with yellowish and golden particles. The Throne is made glorious through the supplications and activities of Peer Sadardeen. Sprinkle the Lord with yellowish and golden particles.
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